Logic Pro X not recognizing my MIDI contr… – Apple Community.The 6 Best MIDI Controllers for Logic Pro X in 2022

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This is what it\’s going to take to get you back on the air. Personally, I\’m furious at the dumbasses at Apple. MIDI was just fine before – why did you hose it up? MIDI was the fundamental technology in the whole Logic family, and now it\’s marginally functional. Jan 16, AM. Page content loaded. I haven\’t used a MIDI interface ever before with this keyboard and that what makes me most concerned is that I was using it before just fine. I use it everyday and this is the only time its happened.

I only have one usb port. I\’ve used this port and overall set up before and now nothing is working. I\’m operating on High Sierra. Jan 16, PM. Jan 17, AM. Which variant you buy and how you use it will vary a lot. A lot of producers I know use the 8 fader variant as a makeshift mixer.

Others use the key variant as a highly portable keyboard. Given the price, you can even buy all three and change them around based on what you need at the moment. There some obvious flaws on the Nanokey. The silicone buttons tend to get stuck. And the faders are plasticky. But it will complement one nicely. But it if you want something highly portable, or if you already have a full-sized keyboard and want something to complement it.

Namely, have good and the right number of keys, have plenty of controls, and integrate well with Logic Pro. Keyboard controllers are great for composition.

You get full-sized piano keys that makes it easy to play chords and melodies. Pad controllers are great for launching clips and creating spontaneous compositions. If you want to hammer out a few drum patterns or take control of your music on the fly, you should choose this option.

There is no sessions view like in Ableton, which limits what you can do with pad controllers. Hybrid controllers offer the best compromise between controls and composition. A good hybrid controller would give you between pads as well as full-sized keyboards. This way, you can launch clips, hammer out drum patterns, and compose entire tracks — all from the same controller.

Unless you have extensive piano playing experience, I would recommend that you stick to hybrid controllers. Another option — which a lot of pro producers follow — is to get a regular keyboard controller and pair it up with a dedicated pad controller.

Think of a setup like this:. This would give you the best of both worlds — a full-sized keyboard for composition, and a pad controller for controlling your DAW.

Your best option is to spring for semi-weighted keys. These tend to be on the expensive side but offer better playability and comfort. If your goal is to just enter MIDI notes and play out a few chords or melodies, synth-action keyboards will work perfectly fine.

MIDI keyboards come in a range of key sizes, going all the way from 25 keys to full-sized key keyboards. Anything beyond 32 keys makes it difficult to keep the keyboard size and weight low enough for lugging around. But portability comes with its own compromise — smaller keys. Most portable keyboards reduce the width and length of keys to fit them into a small form factor.

This greatly impacts their playability, especially if you have fat fingers as I do. I usually recommend people to get a regular 49 or key keyboard for their main studio use, and buy an additional mini keyboard for carrying around. If you have a smaller desk, it could completely ruin your setup. So before you spring for a larger keyboard, measure out your desk.

You should at least have 3 feet of extra space before you even think of getting anything beyond 49 keys. As much as the idea of a full-size key keyboard is appealing, it is just plain overkill for most musicians.

Nor will the EDM or hip-hop pieces they produce ever involve complex melodies that require simultaneous bass and tenor keys. Plus, larger keyboards are plain intimidating. On the flip side, anything below keys also impacts playability. For most people, keys represents the ideal size. It gives you access to four octaves of range. If you plan on playing slightly more complex pieces, you can upgrade to a key keyboard. But otherwise, 49 keys is more than enough.

In my case, I rely minimally on keyboard controls. I use my desktop keyboard shortcuts for most things. The keyboard is used mostly for entering notes, practicing melodies, and playing chords.

A MIDI controller with more than a handful of control options is just overkill for my taste. Great for people who like a more intuitive approach to their music production.

But production styles evolve. You might think that your style requires minimal use of controls, but that might change a year down the line. If it has DAW control options built in, even better. This will give you enough room to adapt new playing styles. As a general rule, your budget will impact your choices as follows with respect to 49 key controllers :.

Go for this range only if you want a secondary controller that emphasizes portability. Look for semi-weighted keys since this will improve the playing experience substantially. That said, there are some controllers that are designed for specific DAWs such as Ableton Push — designed for Ableton. Just keep this in mind when you make a purchase. If the controller specifically says that it supports a specific DAW, it might be a good idea to pick something else. I can understand the confusion — MIDI isn\’t a specification you\’re likely to encounter if you\’re new to music.

I\’ll answer some brief questions about MIDI controllers and keyboards below to help you figure out this product category better. The early s was exciting time for electronic music. The big names you know and recognize today — Roland, Akai, etc. The major synths and devices that shaped music in the 80s and 90s were invented around this time, including the Roland TR drum machine, the Juno synth, etc. Think of the way Apple creates its proprietory connections and imagine an industry filled with dozens of such companies.

The founder of Roland, Ikutaro Kakehashi, knew that for electronic music to advance, there was a need for devices to talk to each other. So working with other manfuacturers, including Yamaha, Korg, etc. MIDI 2. For instance, you might have a MOOG synth. If you want to play music using this synth, you need to connect it to a keyboard. MIDI makes it possible for the two devices to talk to each other.

MIDI controllers can be in any shape or form. The exact effect of the modulation wheel will depend on how the instrument has been configured, but the process of recording, editing and manipulating MIDI CC data is important to your work inside Logic Pro X. Other controllers exist, although their effect will always depend on the software instrument that receives them. Here, the use of parallel track is useful as a means of distinguishing between note data and MIDI CC messages, allowing you to keep the two forms of information separate from one another.

Another really useful editor is the Event List that will display all forms of MIDI information in a text-based format. The text-based approach makes it really easy to filter different event types or simply use it to reassign MIDI CC messages.

The main purpose of the workshop is to explore how MIDI Draw has been replaced by region-based automation. Before version Conventional automation data is, of course, not attached to region. You can edit and reposition a vocal, for example, without its automation moves being moved with it.

 
 

 

Logic pro x midi controller not working free.One moment, please

 
Dec 02,  · Hello folks, My Oxygen 25 keyboard is suddenly not working very well with Logic. It will play for a while, and then go silent. I don\’t know if one of my little students pressed something somewhere.. This is frustrating, as it\’s the . Jan 17,  · Logic Pro X not recognizing my MIDI controller. I went to start a new session and started banging away on my keyboard only to find no input being received into Logic. I tried turning it on and off again, restarting my computer, checking the cables and plugging and unplugging the cable. Nothing I know of has worked. Jun 03,  · If you\’re in a hurry, these are my picks for the best MIDI controller for Logic Pro X: Best overall: Akai MPK (compare price Sweetwater, Guitar Center, Amazon) Best value for money: Nektar Impact LX49+ (compare price Sweetwater, Guitar Center, Amazon). Here is a super easy work around to avoid getting the constant and dreaded \’CORE MIDI SERVICES NOT AVAILABLE\” error in Apple\’s LOGIC PRO X (10). Feb 23,  · 1. Find Logic Pro X app in the Applications folder 2. Control-click the Logic app and choose “Show Package Contents” 3. Follow this path: Logic Pro replace.me Device Scripts/ 4. Here you will need to find the manufacturer and the model of your MIDI keyboard. 5.
 
 

The 6 Best MIDI Controllers for Logic Pro X in .Our Best Content

 
 

Sign in Sign in Sign in corporate. Browse Search. Ask a question. User profile for user: Chase Chase More Less. Reply I have this question too 30 I have this question too Me too 30 Me too. Helpful answers Drop Down menu. From my research on the matter so far, here\’s what I have found: If your device requires a driver i. View answer in context.

Loading page content. Reply Helpful 2 Thread reply – more options Link to this Post. User profile for user: Cuauhtemoc Cuauhtemoc. Reply Helpful Thread reply – more options Link to this Post. The end result is a astonishingly well-built and capable controller at a price tag that\’s affordable for virtually every musician. Let\’s start with the keyboard. Yet, they are quite comfortable.

You don\’t get aftertouch but you do get three touch sensitivity settings. You won\’t enjoy playing Chopin on it, but for studio production, the keyboard works perfectly well.

The baby MPK comes with 8 rubbery, velocity sensitive pads. They\’re not as large and sensitive as Akai\’s APC controllers but they get the job done. Apart from the pads, you also get 8 programmable knobs.

You can also choose between two sound banks. You get the same functionality while saving space. Akai essentially packs in a huge number of features into a tiny device. Its dimensions are smaller than a laptop\’s and it weighs just about the same as an iPad Pro. Then there are the software features. There are plenty of flaws — the keys aren\’t great for playing and the pads could do with an upgrade.

This essentially reduces the impact a pad controller can have in your studio or live performance environment. This is the reason why top pad controllers support Ableton out of the box.

You can remap them to support Logic Pro, but it requires a bit of effort. The APC40 continues on that robust tradition with one of the best designed and best-built pad controllers on the market.

Everything about this unit screams quality. The pads have a MPC-like responsiveness. And the knobs have a clickiness that makes using them a delight. This has also led to a reduction in pad size, which are now RGB backlit i. There is a huge array of buttons below the pads, plus a set of directional arrows to control the DAW.

The major issue which is true for most pad controllers is poor Logic Pro integration. There are few brands I trust more to make high-quality keyboards than Roland. Their controllers are never quite as jazzy as the latest Nektars, nor quite as hyped as Akais, but they always deliver where it matters the most: key quality and playability.

The key version of Roland\’s mid-range controller, the APro compare price Amazon , Guitar Center — is no different.

This not only feels better, but also has a non-slippery surface — great when you\’re sweating after a long jamming session. That\’s not all. The keyboard has custom velocity settings. You can adjust the velocity curve to match your playing style. Turn it high if you really like a fast, responsive keyboard. Turn it low if you like to dig your fingers in and belt tracks out. The keyboard isn\’t the only thing on offer, of course. Not everything is perfect.

The dynamic pads are tiny, and the knobs move a little too freely. The faders also don\’t have the mechanical heft of the keys. But if you\’re willing to overlook them for the fantastic keys, you\’ll love this Roland. And then there are times when you\’d rather have something tiny that can squirrel away in a corner of your desk. It\’s just about a foot long and is so light that its official weight is in ounces, not pounds FYI, it\’s about 0. Which variant you buy and how you use it will vary a lot.

A lot of producers I know use the 8 fader variant as a makeshift mixer. Others use the key variant as a highly portable keyboard. Given the price, you can even buy all three and change them around based on what you need at the moment.

There some obvious flaws on the Nanokey. The silicone buttons tend to get stuck. And the faders are plasticky. But it will complement one nicely. But it if you want something highly portable, or if you already have a full-sized keyboard and want something to complement it. Namely, have good and the right number of keys, have plenty of controls, and integrate well with Logic Pro.

Keyboard controllers are great for composition. You get full-sized piano keys that makes it easy to play chords and melodies. Pad controllers are great for launching clips and creating spontaneous compositions. If you want to hammer out a few drum patterns or take control of your music on the fly, you should choose this option. There is no sessions view like in Ableton, which limits what you can do with pad controllers. Hybrid controllers offer the best compromise between controls and composition.

A good hybrid controller would give you between pads as well as full-sized keyboards. This way, you can launch clips, hammer out drum patterns, and compose entire tracks — all from the same controller. Unless you have extensive piano playing experience, I would recommend that you stick to hybrid controllers.

Another option — which a lot of pro producers follow — is to get a regular keyboard controller and pair it up with a dedicated pad controller. Think of a setup like this:. This would give you the best of both worlds — a full-sized keyboard for composition, and a pad controller for controlling your DAW.

Your best option is to spring for semi-weighted keys. These tend to be on the expensive side but offer better playability and comfort. If your goal is to just enter MIDI notes and play out a few chords or melodies, synth-action keyboards will work perfectly fine. MIDI keyboards come in a range of key sizes, going all the way from 25 keys to full-sized key keyboards. Anything beyond 32 keys makes it difficult to keep the keyboard size and weight low enough for lugging around.

But portability comes with its own compromise — smaller keys. Most portable keyboards reduce the width and length of keys to fit them into a small form factor.

This greatly impacts their playability, especially if you have fat fingers as I do. Like automation, you can draw new nodes in, change curves between two node points, or even scale the nodes up and down across the whole track all of which is covered in the walkthrough. Likewise, any synth produced after will undoubtedly respond to CC messages, which provides a level of backwards compatibility that most could only dream of!

Our Logic Project uses a simple Retro Synth patch. In this case, copying the same CC moves onto the synth Bass on Track 2. This is certainly a good option when it comes to arranging the track. To do this, start by filtering out note data using the button at the top of the Event List.

You could, for example, record using a Mod Wheel but change the type to Expression 11 or Cutoff To get a better view of the recorded data, or edit elements of it, try opening the Piano Roll editor. For precision work, the ability to draw the nodes in without having to enter the Piano Roll is a godsend!